The Great Chevalier A show intended for museums, galleries, and places of national or cultural heritage, this solo is currently in development. A first version was performed in the context of the exhibition D‘histoires et d’art at the Nationalmusée um Fëschmaart (Musée d'archéologie, d'histoire, et d'art), 14 October 2023. Watch the trailer here The Ballet National Folklorique du Luxembourg will take to the...
[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][vc_column_text] Empire of a Faun Imaginary 28 October 2022, Research sharing by Neil and Simone, @KLAP Maison pour la danse (FR) 27 January 2022, Presentations by Simone @CANAL, CND Paris (FR) 13 Mai 2022, Work in progress sharing @CND Lyon (FR) 11 June 2022, June Events - 6 à 7, Presentation by Simone, @Atelier...
The Passion of Andrea 2 10 October 2019 - @ KLAP Maison pour la danse, Festival Question de danse (FR) 13 & 14 November 2019 - @Grand Théâtre du Luxembourg (LU) 15 November 2019 - @CAPE Centre des Arts Pluriels Ettelbruck (LU) 26 February 2020 - @The Place London (UK) 3 April 2020 - @Trois C-L (online performance) (LU) 14...
BAL 2017 Watch teaser here Watch trailer here For a première, this is a stroke of genius. With BAL, Simone Mousset signs the first ballet-documentary ever shown in the country. (...
The Passion of Andrea, or: How We Learned to Laugh with Our Monsters 2016 Watch the trailer here A piece reminiscent of a joke, a boxing ring, a conference, a monologue, a mini-ballet; where the words harmoniously combined with the performers' movements swoop us up, restraining realism to celebrate the absurd. Anna Chirescu, C'est comme ça qu'on danse / www.cccdanse.com for full review Three dancers...
Their Past 2016 As rich in imagination and as enigmatic as Khanon’s music, Their Past forges a unity of its elements that sustains its folkloric enchantment to the end. Nicholas Minns, Writing About Dance What retains the attention here is the mastery with which Simone Mousset lets the trio evolve on stage and the way in which the gestures of the dancers converse. Marie-Laure Rolland,...